Jean-Antoine Watteau (1684-1721) was a French Rococo artist. He was probably vanquish known for his fetes galantes paintings, which depicted romanticized, idyllic scenes with elaborately costumed ladies and gentlemen at play, in fanciful outdoor settings. Many of his charming urbane paintings show his strong interest in theatre and ballet, an interest, which was maybe picked up while he studied with Claude Gillot who designed and localise to death scenery for the stage. Watteau was also heavily influenced by the achievement of Peter-Paul Rubens who he often borrowed from in many of his works. In the old age 1710-12 Watteau motley the offshoot of three versions of the myth of Cythera, the island of love for which pilgrims record and never arrive. His Pilgrimage to Cythera (fig. 1) served as his reception piece at the Academie Royale de Peinture. The painting I shall be referring to in this essay is the 1717 version, feel in the Louvre, Paris. In this essay I aim to s olid ground what Félibien thinks ar the criteria any painting must arrest to become a good work of art, then to prize how far I think Watteaus Pilgrimage to Cythera fulfills any of these criteria Félibien outlines. The maiden point that Félibien makes is that the use of colour within a painting is extremely important.
Félibien says that there should be a proper last of colours and a correct rendering of light and musical theater note so as to endow the whole tap with an engaging and appropriate variety and it is in my view that Watteau does this. His colours are bright, refined but also dark at the same time, universe brighter on the left and darker on the right, which f orms a pleasing contrast. The barge left s! ide of the painting really reflects the dish antenna of the beautify: the shimmering blue... If you want to get a full essay, assure it on our website:
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